Date: April 21, 2024
Time: 7pm
doors 7pm music 8pm
full dinner menu available
seating is first come-first served
performing live in the back room
MINNIE JORDAN QUARTET
Minnie Jordan is a violinist hailing from Texas and living in Brooklyn. Her compositions draw inspiration from jazz tradition, but are also informed by the distinctive flavor of Texan roots music, as well as diverse non-musical sources such as bird songs and the occasional printer or leaking faucet. Her sound has been described as “elegant & cinematic,” “not undramatic,” and “lowkey prog rock vibes but jazz fiddle.”
featuring
Eliza Salem – drums
Evan Main – keyboard
Charlie Lincoln – bass
+ special guest LILY TALMERS
“Lily’s sound is rooted in the 60’s folk revival, but includes broader fascinations, like the influence of Greece, Portugal and the European classical music canon all subtly swirl around in her melodies. She strives to to engage with “folk music” as it is most loosely defined: ‘the music of the people.'”
Date: April 23, 2024
Time: 8pm
Tickets
7:30pm doors 8pm music, full dinner menu available, seating is first come first-served
Brooklyn Maqam presents New York Oud Festival Day 1
The New York Oud Festival is a multi-day, multi-venue music festival that displays the oud and its versatility as it exists in New York’s diverse musical culture.
performing live in the back room
Brandon Terzic has performed with everyone from rising Sudanese pop Diva Alsarah to master composer Henry Threadgill. Drawing on his blues guitar roots, he absorbed the wellspring of Malian griot and Moroccan Gnawa traditions, as well as the downtown NYC improv aesthetic, and forged it into the sonic calligraphy of the Arabic Oud. Alongside cellist Rufus Cappadocia and percussionist Matt Kilmer, Brandon leads the transcendental Trio Xalam.
Adam Good is a Brooklyn-based multi-instrumentalist and composer working with contemporary modal music in the traditional styles of Turkey, Greece and Eastern Europe. His musicianship on guitar, Turkish ud, tanbur, and knowledge of Turkish makam has made Adam a fixture of the Balkan and Middle Eastern music scenes in the US and abroad. He plays with the ensembles Dolunay (Turkish music), Brenna MacCrimmon, Greek Judas (heavy metal Greek rebetika), Pontic Firebird (Greek Pontic), and with clarinet master Souren Baronian’s ensemble Taksim.
Brooklyn Maqam is a volunteer-run 501(c)(3) nonprofit organization founded in January 2018. Its mission is: to foster community engagement with maqam-based music; presenting & promoting music from Middle Eastern (especially Arabic) musical traditions; preservation of the art form through education & mentorship; and providing performance opportunities for both established masters & emerging talents.
Date: April 24, 2024
Time: 7pm
7pm doors
full dinner menu available
seating is first-come, first-served
8pm music
performing solos, duos and as a trio:
LAO DAN is a classically trained Chinese flutist at Shenyang Conservatory of Music (SYCM), Lao Dan sticks to his own vision of and approach to the bamboo flute and its sounds. His playing continues to push the limits of artistic expression on this instrument, exploring the possibilities of free, energetic, and nonconformist ways of sound-making confined by neither Jazz nor traditional Chinese musical conventions. His improvisation often brings to the audience an overwhelming sonic experience in which the East and the West, the ancient and the modern clash dramatically on each other. Bandcamp
JOHN MCCOWEN‘s musical life has become an obsession with discovering a polyphonic language on a historically monophonic instrument – the clarinet. This has led him to a unique acoustic vocabulary that is akin to a shifting soundscape of electronic feedback. John’s multi-phonic approach is based in drones, difference tones, and beating harmonics as a means to showcase the compositional potential within a single, acoustic sound source. His work has been described by The New Yorker as “the sonic equivalent of microscopic life viewed on a slide” and by The Wire as “an astonishing demonstration of pure sound & human will.”
CHARMAINE LEE is a New York-based vocalist. Her music is predominantly improvised, and favors a uniquely personal approach to vocal expressed concerned with spontanaeity, playfulness, and risk-taking. Beyond extended vocal technique, Charmaine uses amplification, feedback, and microphones to augment and distort the voice.
Date: April 29, 2024
Time: 7pm
7pm doors 8pm music, full dinner menu available, seating is first come first-served
performing live in the back room
verolís
photo by Jose M. Alconchel
photo by Lynn Morgan
is a new project led by composer and bassist, Kenneth Jiménez, and also features Ingrid Laubrock on tenor saxophone and Christopher Hoffman (cello). The trio moves between written music and improvisation, allowing them to explore a wide range of textures and sounds to create shape and form throughout their set. The band takes its name after the flower of the sugar cane plant that blooms during harvesting season. Jiménez draws inspiration from these images that inhabit his earliest memories to put together this band and create this music.
Moritz/Ali/Coast
photo by azumi oe
Jonathan Moritz, Sean Ali, and Carlo Costa have been playing together since 2013 in a variety of ensembles. Since 2017 the three have been performing as a collective trio and over time have honed a distinctive band sound. One of the primary pursuits of the band is to inhabit and explore the acoustic space they perform in. The trio generally never utilizes any amplification and more often than not performs in DIY spaces that are not meant for concerts. By establishing a fragile yet palpable atmosphere the band activates the space and gradually draws the audience into its pool of sound.
$15 at the door (cash/Venmo, no advance tickets)
Date: April 30, 2024
Time: 7pm
doors 7pm music 8pm
full dinner menu available
seating is first come-first served
ALMOG SHARVIT’S CORALITION
Almog Sharvit is an “irrepressibly mischievous and highly skilled” (The Big Takeover) bassist and composer who is never content to stay too long in one mode. His debut album Get Up or Cry has been called a “startlingly imaginative record” and “a masterpiece of syncopated sound” (Bass Magazine, Goldmine Magazine). In addition to his own project, Almog can be heard playing with his collective trio KADAWA, Sunny Jain’s Wild Wild East, The NYChillharmonic, Forager, Julia Easterlin, Ashni, Ambrose Getz, Ella Mar and many more. Website
NOAH ROTT’S ELECTRIC QUARTET
Noah Rott is a Brooklyn-based pianist and electronic artist who fuses modern jazz with electronic soundscapes. Originally hailing from Germany, Noah Rott migrated to New York City in 2017, where he swiftly carved out a niche for himself as a dynamic force within the city’s jazz scene. As part of a new generation of jazz innovators, Noah’s virtuosic and versatile use of analog synthesizers and sound effects paired with his picturesque approach to the acoustic piano have garnered attention and acclaim. He is currently leading a new quartet with the vision of creating an innovative sonic blend of acoustic elements and electronic sounds. His band features some of New York’s most unique musical minds, such as
Alfredo Colon on saxophone, electric wind instrument, and effects;
Mathias Jensen on upright bass; and
Kobi Abcede on drums. After releasing his debut album
Rewind in 2021, he is projected to release his second album as a bandleader in early 2025.
Website
$15 at the door (cash/Venmo, no advance tickets)
Date: May 2, 2024
Time: 7pm
7pm doors 8pm music, full dinner menu available, seating is first-come first-served
Date: May 5, 2024
Time: 7pm
MORE INFO TBA
Date: May 7, 2024
Time: 7pm
7pm doors 8pm music
Full dinner menu available; seating is first come, first served
HEAVY FLORALS is a series that creates space for a community of POC musicians & their allies to exhale, curated by Shara Lunon
performing live in the back room
ALIYA & JAVEN
Aliya Ultan (she/her/hers) is a cellist, singer, and composer-improviser from Brooklyn based in New York. Growing up in a car with her mother and sister, Aliya’s music channels the energies one might associate with escape via catharsis or witchcraft. Throughout her time in NYC, Aliya has become deeply involved in the experimental music scene as both a performer and facilitator of creative happenings. The Wham Jam series in Redhook is one of her ongoing projects as well as an upcoming rooftop series starting May. With a passion for collaboration Aliya plays in three bands; GNR8RZ with Simon Hanes, Calvin Weston, and Anthony Coleman, Wicked Bush with Matt Bent and Kevin Eichenberger, and SEVEN which she co-leads with violist-singer songwriter Javen Lara. Aliya also performs on Broadway in Hadestown and with Yoshiko Chuma’s School or Hard Knocks. Come this Fall, Aliya will be releasing multiple records including a debut album with SEVEN produced by Randall Dunn, GNR8RZ produced by Marc Urselli, and a live album of her most recent solo tour across the States. For information about upcoming events and releases please follow @nocturnal_cellist on IG.
Javen Lara (she/her/hers), also known as Jae, is from Harlem, New York City. She attended Fiorello H. LaGuardia High School as an instrumental major. Jae has performed at Lincoln Center, Madison Square Garden, Carnegie Hall and more. Graduating from Bard College and Conservatory, Jae was one of two of the first African-American graduates of the Conservatory. Upon her return to New York City, she started “Javen’s House Concert Series: Through the Seasons”, where she hosted a fusion of classical chamber music favorites, improvisations, and original songs. Emma Kato, Christina Jones, Alyssa Yuge, Dharshan Chandrakumar. Gigi Hseuh, Alissa Mori, and Alec Manasse were collaborators playing works by Shostakovich, Tchiakovsky, Mozart. The improvisations were created by Jae and eclectic violinist, Scott Li. And original songs with her Manhattan-based band, The Slippers. Dharshan and Jae also started an improvisatory viola duet, using electronics and voice to expand the capabilities of their instruments. Lastly, Jae is the violist as well as co-lead vocalist with cellist/vocalist/one of Jae’s greatest inspirations, Aliya Ultan, in the Brooklyn based band, SEVEN. They have performed at Public Records, Chaos Computer, and look forward to collaborating with Pioneer works as well as more renowned venues around New York City. This Autumn, the band will be releasing their debut album, produced by Randall Dunn, through Applehead Studios in Woodstock and Circular Ruin Studios in Brooklyn. @sexistential_crisis and @seventimesinfinity on IG
BongoWattZ
Shamar Watt is an experimental multidisciplinary artist born in Kingston, Jamaica, raised in Miami, and based in Miami and New York City. He has worked as a multidisciplinary performer with Nora Chipaumire since 2015. He was nominated as one of the top 25 performers/choreographers to watch for 2019 Dance Magazine. Watt was the recipient of the prestigious Bessie Award for Outstanding Performance 2019. Watt collaborated and worked alongside Matthew Barney in ‘SECONDARY’ premiered in 2023. Watt challenges the way we perceive form through sound and the Body. He interrogates the forms of spiritual entertainment. Watt is currently pursuing an MFA at NYU Tisch in interdisciplinary research.
+ all night selector DJ SAGE LOVES NY
$10-20 sliding scale at the door
Date: May 12, 2024
Time: 7pm
Get tickets here
7pm doors 8pm music
Full dinner menu available, seating is first-come first-served
performing live in the back room
GEORGE CROTTY TRIO
George Crotty has forged his own unique vocabulary on the cello. Expanding outward from the cello’s intrinsic lyricism, his sound introduces plaintive Irish ornamentation, melismatic gestures of Indian classical music, adapted electric guitar manoeuvres, and the bold articulation of jazz bass. He writes and performs for solo cello and small ensembles, and collaborates on film scores, original recordings, and theatrical productions. A member of the Brooklyn Raga Massive, and Detroit-based National Arab Orchestra, he has also worked with Bob Ezrin, Simon Shaheen, Paquito D’Rivera, Anat Cohen, and Darol Anger.
COMPASS TRIO
Compass is a trio that brings an original compositional voice to the three musicians’ collective experience and expertise – Indian raga and tala, the art of flamenco, jazz harmony, and deep groove. The rhythmic form of North Indian music known as theka is a uniquely sophisticated container for exploring time and polyrhythm. Separated by hundreds of years and countless migrations of the Gitano diaspora throughout present day Middle East and Europe we find the same concepts in new forms through the Spanish compas. This musical connection through history and culture is referenced in the name Compass; both a tool to find one’s way home as well as that which structures time in music, another form of finding “home”. Compass Trio is comprised of guitar and effects (James Labrosse), tabla (Tripp Dudley), and sitar (Galen Passen)
Brooklyn Raga Massive is an adventurous nonprofit musicians’ collective that creates cross-cultural understanding through the lens of South Asian classical music by providing direct support to artists, fostering collaboration through our iconic concerts and jam sessions, facilitating cultural exchange through educational initiatives, and producing transcendent, and often massive, performances, festivals, and one-of-a-kind albums. BRM’s original ensembles have performed across the country at venues such as Lincoln Center, Fotografiska NY, Yerba Buena Gardens Festival, Pioneer Works, The Rubin Museum of Art, The Museum of Modern Art, The Metropolitan Museum of Art, The Kennedy Center, and more. Through the curation of our signature series, festivals, and educational programs, we have brought raga into conversation with musical traditions coming from Iraq, Cuba, Morocco, Japan and more.This practice of cross-cultural collaboration both reflects the current global landscape and enables BRM to serve as an incubator of expansive, innovative, new genres of music indigenous to Brooklyn.
Date: May 13, 2024
Time: 7pm
7pm doors 8pm music
full dinner menu availabl, seating is first-come first-served
performing live in the back room
VINES
…is the solo project of composer, producer, and multi-instrumentalist Cassie Wieland. Praised by The New York Times as “sweetly shimmering,” Vines masterfully experiments with intimate ambient and experimental pop sound worlds to achieve the massive and hand-made vibe she is often searching for. Across her practice, Vines’s music shines a light on knotty feelings that are hidden just under the surface
KAMRA
…is a singer-songwriter raised in the dry desert of Arizona now living between their farm in the Western Catskill Mountains and Toronto. Their music fuses string instruments, experimental sensibilities, field recordings, and band jams. Kamra’s practice centers collaboration, painterly storytelling, and transfigurations that emerge after a spiritual experience. Their popular single “Hear My No” is a socio-cultural cry for more honest communication in relationships. They are also the author of Care Manual, a practical workbook which challenges fixed notions of care, consent, pleasure, and harm. Kamra’s songwriting derives wisdom from lived experience and surfs the waves of traditional African-American music with ethereal charm. Channeling the legacy of Black femme folk singers, Kamra puts their twist on the genre by blending the sentimental deep rich tones with soaring falsettos floating listeners off their feet.
YAZ LANCASTER
…is a transdisciplinary artist residing in Lenapehoking (NYC). Their work as a performer, composer, poet/writer, and collaborator is grounded in queer, DIY, and liberatory frameworks. Their debut record AmethYst, comprising music for violin, voice, and electronics was released in April 2023 (ppr). Recent and upcoming collaborators include Black Mountain College/Hub New Music, Brooklyn Youth Chorus, Dorothy Carlos, Eliza Bagg, Massa Nera, Mingjia, Minnesota Philharmonic, Miss Grit, and Sean Pecknold. Yaz additionally works as the co-manager of people places records, a co-organizer of abolitionist music collective Sound Off, and a freelance (music) writer. They love powerlifting, horror manga, and summers down South.
